My unpublished short story, Kittygirl Vs. the Fiendish Brain Freezer, made the quarter-finals in ScreenCraft’s Cinematic Short Story 2017 Contest. They wanted a short story, not a script, with special cinematic potential. I guess Kittygirl has that. Yay!
Out of 1400 contestants, I am in the top 350 or so. I submitted my story in December. In February, they will pick the five finalists. The top prize is about $1000 and introductions to agents, publishers, and genies who can grant three wishes.
Will I be one of the finalists? 5 out of 350? I wish. But I got a prize already: by paying a little extra upon submission, I got professional feedback. I love that. Makes me feel like an author.
My question: Do most people have CD/DVD drives with their computers nowadays? Or are they getting to be obsolete?
I am considering getting another printer, or loading up on cartridges for my current printer. My current printer is an HP Photosmart C5550 all-in-one that does something few printers do nowadays: print on a CD. (Which I have never tried. But I digress.) For every copy of my little paperback book that I sell at little conventions, I burn a data CD with ebook files, artwork I have had done at conventions, and my audio readings of my stories (mp3 format). I want to be an author who gives you more stuff with the sale.
Please let me know if it is worth burning CDs or if I should find a better way to hand out my ebook/art/mp3s because I will soon have Costco reward $$$ to use up. Thanks.
P.S. Audio CDs are still a thing at open mics. But an audio CD only holds 45 minutes of music. Skimpy for audio stories. I burned a couple for my barber so he could listen to my audio stories over the holidays while driving to Santa Cruz. He did that without crashing his car. He liked the stories, even though I do not think I imitate his voice very well (he helps Super Holly with her mangled hair in Super Bad Hair Day).
I saw Justice League. Alone. I did not want to inflict it on anyone else. My expectations were low, like they were when my friend Brian “Mondo” called me up and wanted to see Dude, Where’s My Car? But I liked it. It was funny! (“We are hot babes.”)
I liked Justice League too. Sure, it grated on my writer brain. Some scenes felt glued together with library paste, I believe there was a payoff without setup, and too much dialog was blabby moody exposition. (Alfred Hitchcock said that exposition is a pill that must be sugar-coated.) Plenty of room for improvement. But this movie had two story elements that Man of Steel and Batman v Superman lacked: humor and humanity.
The Flash’s geeky, gawky enthusiasm and Aquaman’s heroic beer-chugging macho were especially fun. (The original Aquaman and Barry Allen Flash in DC Comics had the personalities of Macys mannequins, so this movie was right to revamp that.) Wonder Woman was again the fearless, ferocious fighter with a heart (although some of her fellow Amazons should not bare their bellies when going into battle). Batman showed his after-battle ouchie bruises and he stated his true superpower: “I’m rich.” When Superman stepped up to the villain, his voice was purehearted Christopher Reeve (it made my heart sing). Cyborg got to say his favorite line from Teen Titans Go (starts with a “B”). This movie gave the DC supers humanity to build upon. (Except Wonder Woman, she and her most excellent movie were slopping over with humanity to start with, even considering the goddess thing.) And its photography avoided a lot of the black bleak depressing sad angsty moody sepia dark tones of M of S and B v S.
Speaking of gods, a YouTube video that I saw (and lost) said it best: In the Marvel movies, the supers are human. In Man of Steel and Bats v Supes, they are gods above men. YUCK! My advice for DC movie makers: keep losing the Ayn Rand crap and you’ll keep improving.
I should have posted this six months ago. Oh well.
In the 2017 San Mateo County Fair Literary Contest, I won first prize for my audio reading of “The Intellecta Rhapsody.” Holly gets into a big argument with her Batman-esque boyfriend’s car during her driving lesson. The background music is The Hungarian Rhapsody, a tune to which Bugs Bunny, Tom & Jerry, and Woody Woodpecker have all danced.
I also won third prize for my short story, “The Lutefisk Door.” My Trumpy villain Billington Stumpfinger builds a nasty wall to trap Super Holly Hansson: the old trap-Batman-and-Superman-in-a-steel-and-kryptonite-vault trick. Can Holly’s boyfriend, Cal “The Intellectual” Critbert, save her before she succumbs to the deadly rays of the green lutefisk?
I often use phonetic dialog. From an upcoming novel chapter after Holly is brainwashed into thinking she is the evil cowgirl Laura Shrub:
Not them two dudes again. On the sidewalk, two teen guys gave Laura a look sadder than starving hound dogs. Laura crossed her arms and jutted her chin at them. “Whut’re yew lookin’ at?”
I was writing all the text in chapters where Laura is the point-of-view character to use her phonetic misspellings. But in the above paragraph, I kept that only to her spoken and internal dialog. Seems to work. I’ll try it more. (But I still might keep the style of the non-dialog to be Western.)
My short story, What Goes Up, is published in Fault Zone, a publication of the SF Peninsula branch of the California Writers Club. Super Holly Hansson saves the day several times in one day, but finds something she cannot save. I give many thanks to Laurel Anne Hill, who worked super-hard to put together this anthology, and who edited my writing into a story worthy of Fault Zone. Writers, editors are your friends.
Here is the start of “What Goes Up.”
The six-foot-tall, apricot-shaped computer on the auditorium stage glowed brighter. Was the thing about to go KA-BOOM, like old sci-fi mechanical brains computing love to the last digit? Super Holly Hansson gritted her teeth harder, tapped the console’s keyboard, and motioned toward Chris Jobz, the Apricot Computer CEO.
“Would you please hand me your tablet,” Holly said, “and get your butt behind the blast shields with your employees?” Too bad she couldn’t pitch that big yellow- orangish monster into the ocean. Too dangerous, according to Chris. “You’re not bomb- proof. I am.” So far… She swallowed hard.
Chris glanced in the direction of his staff, yet made no move to give Holly his tablet, as if he thought his lint-free black turtleneck was a supersuit. Arrogant but brave. He acted as if she could still channel superpowers into others, like she’d done to those comic book geeks months ago. She couldn’t do that anymore. Not even for a fellow geek.
“Miss Hansson, you need both hands and my help.” Chris shoved his Apricot tablet closer to Holly’s face. “You’re not an engineer.”
“I was a technical writer,” Holly said, “and this geek girl can read code.” But could she get through this in one piece? All those kids in the hospital would be so sad if she didn’t show up today. She typed faster, restraining her super-strength. Last year she’d
pulverized her favorite wireless keyboard. The shining apricot’s timer taunted her: 01:29, 01:28, 01:27…
“I know women can code. Forty percent of Apricot engineers are female,” Chris said. His eyes shot virtual daggers toward the smiling teen boy his employees restrained. “But if you don’t finish writing this Swoop code before that timer reaches zero, this Apricot will destroy the Internet.”
“Don’t you think I know that?” Holly hissed as her fingertips tingled. “I suppose it was that kid’s bright idea to build a doomsday Apricot with a super-scalding keyboard.”
“Yes. Me. Crestley Smusher, to you.” The teen’s voice was nerdy, gleeful, and dripping with condescension. “It was a science project to put my highly intelligent, brightly smiling face upon every display on the planet. Upon the exact second of my eighteenth birthday, less than a minute from now. Except my superior code merged with inferior code from lesser engineers to form a nasty virus—”
“Shut up, Crestley,” Holly and Chris shouted. Holly tapped out the last line of code and turned. Behind thick, clear, plastic bomb shields, several angry Apricot geeks held Crestley’s arms. A six-foot-six and rather wide engineer got a stranglehold on the techie, whose smug smirk vanished. Speaking of vanishing, how much time had elapsed?
…00:03, 00:02, 00:01… The timer stopped. Just like on Stellar Trek, where the countdown always stopped at one. Whew! She’d done it.
Chris examined the Apricot’s display. “The Internet is saved.” He shook Holly’s hand. “Thank you.”
Such firm fingers he had, like a writer. “You’re welcome.”
“Auto destruct in fifteen seconds,” the monster Apricot voiced in a monotone. “Fourteen. Thirteen.”
“What the hell?” Chris sputtered. He and Holly whirled to face Crestley. Crestley smirked again. “All doomsday devices need a failsafe.”
A failsafe? Time for Holly’s own brand of mind over matter. Crap. This was
gonna hurt. She reached out. A telekinetic hand—big, blue and transparent—shot from her own flesh-and-blood hand and engulfed the Apricot monster.
She punched her free fist upward. A telekinetic fist cannonballed out of it and bashed a hole in the ceiling.
She flew through the roof and into the bright blue sky.
The Apricot campus shrank below her.
She held the doomsday Apricot in her telekinetic hand.
Damn all arrogant nerds. Well, not all.